Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. Mason and Mullen are artificially aged to play the old couple. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). The actress Margaret Lockwood was one of Britain's biggest 1940s film stars. [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. If you've ever heard of a beauty mark being labeled a birthmark, that's not exactly fake news. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. Imagine the awkwardness of having a real beauty mark during this period in history? Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. She returned to Britain to live in Somerset in 2007. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. By Brittany Brolley / Updated: Feb. 2, 2021 6:14 pm EST. Margaret Lockwood as Lydia Garth Paul Dupuis as Paul de Vandiere Kathleen Byron as Verite Faimont Maxwell Reed as Joseph Rondolet Thora Hird as Rosa Raymond Lovell as Comte de Vandiere Maurice Denham as Doctor Simon Blake David Hutcheson as Max Ffoliott Cathleen Nesbitt as Mother Superior Peter Illing as Doctor Matthieu Jack McNaughton as Attendant As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. Margaret Lockwood moved to Dolphin Square, Pimlico, London in 1937. Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. As such, the shape, color, and even texture can vary. As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. Showing Editorial results for margaret lockwood. She was born on September 15, 1916. England British actress Margaret Lockwood is pictured reading the newspapers as she enjoys breakfast in bed. The enormous popular success of this picture led to her second key role in 1945 (again with Mason) as the cunning and cruel title character of The Wicked Lady (1945), a female Dick Turpin. I like having familiar faces that recognize me. She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. A free trial, then 4.99/month or 49/year. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. I think they're the cutest thing. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). "[8] Gaumont increased her contract from three years to six.[10]. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). The American supermodel isn't the only one with an iconic beauty mark. An atmospheric ghost story based on the 1940 novel of the same title by Osbert Sitwell, it stars James Mason, Barbara Mullen, Margaret Lockwood, Dennis Price and Dulcie Gray. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. She made no more films with Wilcox who called her "a director's joy who can shade a performance or a character with computer accuracy" but admitted their collaboration "did not come off. And I loved it. In June 1939, Lockwood returned to the United Kingdom. She also performed in a pantomime of Cinderella for the Royal Film performance with Jean Simmons; Lockwood called this "the jolliest show in which I have ever taken part. "Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." When I marry, I shall have a large family. Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. Your email address will not be published. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. [9] This movie was a hit and launched Lockwood as a star. [28] It was the last of "official" Gainsborough melodramas the studio had come under the control of J. Arthur Rank who disliked the genre. "I like moles. Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britain's biggest box-office stars. She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. Later, aged 16 and playing Wendy, she joined her mother in the 1957 Christmas production. CURRENT NEEDS: Part time 1-2 days a week 9 AM-3 PM. She was a warden in The White Unicorn (1947), a melodrama from the team of Harold Huth and John Corfield. She was 73 years old. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. In 1944, in "A Place of One's Own", she added one further attribute to her armoury: a beauty spot painted high on her left cheek. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). With the drama picture Bank Holiday, she created a reputation for herself. Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. A three-time winner of the Daily Mail Film Award, her iconic films 'The Lady Vanishes', 'The Man in Grey' and 'The Wicked Lady' gained her legions of fans and the nickname Queen of the Screen. She was in the following years sequel, Heidi Grows Up, by which time she was training at the Arts Educational School in London. Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. alcohol. In 1938, she gave her best performance in the movie Bank Holiday; the film launched Lockwoods career. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. It became her trade mark and the impudent ornament of her most outrageous film, The Wicked Lady, again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Corrections? Margaret Lockwood (1916-1990) was Britain's number one box office star during the war years. For other people named Margaret Lockwood, see, Margaret Lockwood in Cornish Rhapsody which comes from the British War Time Film "Love Story" and starred Margaret as a lady concert pianist. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. Miss Lockwood's family would not disclose the . Grow your brand authentically by sharing brand content with the internets creators. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. Images of the British actress, Margaret Lockwood. She was supposed to make cinema adaptations of Rob Roy and The Blue Lagoon, but both projects were shelved due to the outbreak of World War II. She starred in another series The Flying Swan (1965). Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. A year later, she played another fairy, for 30 shillings a week, in Babes in the Wood at the Scala Theatre. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). In 1938, Lockwoods role as a young London nurse in Carol Reeds film, Bank Holiday, established her as a star, and the enormous success of her next film, Alfred Hitchcocks taut thriller The Lady Vanishes, opposite Michael Redgrave, gave her international status. Gaumont extended her contract from three to six years. Her beauty spot, added during filming of A Place of One's Own (1945) in 1945 Trivia (28) Mother of actress Julia Lockwood. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. She called it "my first really big picture with a beautifully written script and a wonderful part for me. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. Simply put, if a person is born with a mole, it is then also considered a birthmark. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. [40][41] It was not popular. [30] "I was sick of getting mediocre parts and poor scripts," she later wrote. Enter your account data and we will send you a link to reset your password. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. Privacy Policy. Those with beauty marks in the 1800s would've likely felt anything but beautiful during a time when skin whitening recipes promising to "take away" freckles and moles were abundant. This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. Lockwood attended drama school from the age of five and following her parents divorce was just 12 when cast as the star of Heidi for a 1953 childrens TV serial. After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. Gasp! Cindy Crawford and other big names with facial moles. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). He hopes one day "moles and other individual qualities" will be embraced. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britains biggest box-office stars with her appearance in the 1945 film classic The Wicked Lady, four years after her daughters birth. She began studying for the stage at an early age at the Italia Conti Academy of Theatre Arts, and made her debut in 1928, at the age of 12, at the Holborn Empire where she played a fairy in A Midsummer Night's Dream. Possibly up to halfof all melanomas start as benign moles. Rank wanted to star her in a film about Mary Magdalene but Lockwood was unhappy with the script. According to the American Academy of Dermatology, there are severalkinds of birthmarks, but each one fits into just two main groups: pigmented and vascular. What made her a front rank star was The Man in Grey (1943), the first of what would be known as the Gainsborough melodramas. 10-06-22 . Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. Julia Lockwood during filming for the BBC science fiction series Out of the Unknown in 1968. Karachi-born Margaret Lockwood, daughter of a British colonial railway The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. "All beauty marks are moles,"Neal Schultz, a New York City-based cosmetic and medical dermatologist and host of DermTV, explained. They were going to look after me as no one else had done before. Switch to the light mode that's kinder on your eyes at day time. Lockwood wanted to play the part of Clarissa, but producer Edward Black cast her as the villainous Hesther. Then, in 1972, she married the actor Ernest Clark, best known as the irascible Geoffrey Loftus in Doctor in the House and its TV sequels, and her fellow star in the Ray Cooney farce The Mating Game (Apollo theatre, 1972). Search instead in. "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. After what she regarded as her mothers painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughters performance in The Wicked Lady, she snapped: That wasnt acting. Below are some glamorous photos of young Margaret Lockwood from her early life and career. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). Hey Friend, Before You Go.. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. It's all Marilyn Monroe's fault," singer Kelly Rowland told People. The property has now been converted to flats. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing dcolletages. 2023 Getty Images. Gaumont British were making a film version of the novel Doctor Syn, starring George Arliss and Anna Lee with director Roy William Neill and producer Edward Black. This is the ITV DVD Region 2 DVD release of the Margaret Lockwood films - The Wicked Lady from 1945 and Bank Holiday from 1938. . After becoming a dance pupil at the Italia Conti school, she made her stage debut at 15 as a fairy in A Midsummer Nights Dream at the Holborn Empire. Still, our work isn't quite done yet. Any moles or flaws are usually Photoshopped out to create the image of beauty." It was an uphill battle even for those who survived. Lady barrister Harriet Peterson tackles cases in London. before completing her training at the Royal Academy of Dramatic Art. These were standard ingnue roles. This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. In 1980, she made her final professional appearance as Queen Alexandra in Royce Rytons theatrical play Motherdear.. As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". Cindy Crawford, for example, is notorious for her iconic "blemish." The following year, she appeared at the Scala Theatre in the pantomime in the drama The Babes in the Wood. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. However, there is perhaps no stranger way than to declare your party affiliation via mole. Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. Margaret Lockwood lived at 34 Upper Park Rd, Kingston upon Thames KT2 5LD between 1960 and 1990. Stone appeared with her in her award winning 1970s television series, Justice, in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. Prior to leaving, she bravely performs for the plays audience her welling Cornish Rhapsody (written for the film byHubert Bathand made famous by it) while Kit is having a life-threatening operation to save his sight and because Judy is too distraught to go on. While every effort has been made to follow citation style rules, there may be some discrepancies. clerk, was educated in London and studied to be an actress at the In the 1969 television production Justice is a Woman, she played barrister Julia Stanford. Stage career From her mid-20s Lockwood was seen on the West End stage in Arsenic and Old Lace (Vaudeville theatre, 1966), The Servant of Two Masters (Queens theatre, 1968), Charlie Girl (Adelphi theatre, 1969), Birds on the Wing (Piccadilly theatre, 1969), alongside Bruce Forsyth making his debut as a straight actor, and The Jockey Club Stakes (Vaudeville theatre, 1970). "[10], She did another with Reed, Night Train to Munich (1940), an attempt to repeat the success of The Lady Vanishes with the same screenwriters (Launder and Gilliat) and characters of Charters and Caldicott. The sexual privation suffered by women whose men were fighting overseas contributed to Lockwood and Mason, the fiery adulterous lovers of the 1943 Gainsborough gothic classicThe Man in Grey, replacingGracie FieldsandGeorge Formbyas the countrys top box office stars that year. It made her determined to be up on stage herself, flying through the air and fighting the pirates. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. Millions of high-quality images, video, and music options are waiting for you. Margaret Lockwood John Stone John Bryans See production, box office & company info Add to Watchlist 5 User reviews Episodes 39 Top-rated Fri, Jul 19, 1974 S3.E9 Twice the Legal Limit Justice Bebbington, who has given Harriet trouble with his mean spirited sentencing, asks her to defend him in a case of drunken driving. As stated earlier, Monroe's trademark mole may not have been real. In the 1930s, she appeared in a variety of stage plays and made her name. A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. MARGARET LOCKWOOD Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. As you now know, the 18th century was thetime for magnificent moles. Duration is 1 hr., 53 min. She was known for her stunning looks, artistry and versatility. Here's the unadulterated truth. In 1948, she made her television debut in the role of Eliza Doolittle in the series Eliza Doolittle. In 1965, she co-starred with her daughter, Julia, in a popular television series, The Flying Swan, and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wildes An Ideal Husband. According toBBC,stars, hearts, and half moons were all popular choices back in the day. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish.
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was margaret lockwood's beauty spot real